: ~ [about] :
p a n o p t I c o n ∞ is
a resource, a photographically oriented reference.
It's an exposition, it's history, histrionics, spleen, appendices, etc.
Indeed, it is a splendid compendium of what-knots, afterwords, footnotes and further-mores.
Mostly, though, it's ~ Damn Time.
-Well, Time and Space, actually.
Inextricably entwined, a two-sided Möbius strip.
A twisted single-helix, a warped sense of humor.
p a n o p t I c o n ∞ is
a resource, a photographically oriented reference.
It's an exposition, it's history, histrionics, spleen, appendices, etc.
Indeed, it is a splendid compendium of what-knots, afterwords, footnotes and further-mores.
Mostly, though, it's ~ Damn Time.
-Well, Time and Space, actually.
Inextricably entwined, a two-sided Möbius strip.
A twisted single-helix, a warped sense of humor.
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All photos on this website were shot with an iPhone [currently, an 11 Pro]
Many of the images are cropped and manipulated using Apple Photos software. All images created by me are copyright. All other images are attributed. |
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The word "PANORAMA" means too many different things.
pan·o·ram·a - panəˈramə, noun – an unbroken view of the whole region surrounding an observer. "the tower offers a wonderful panorama of Prague” Synonyms: view, wide view, scenic view, vista, prospect, review, overview, presentation, appraisal, survey, scene, scenery, landscape, seascape. ~ A picture or photograph containing a wide view. ~ A complete survey or presentation of a subject or sequence of events. (Exactly; a Panorama is a Complete Survey of a Sequence of Events. - Wide-Format Photography - A 360-degree photograph - A rectangular image with a 10:1 ratio (or thereabouts) - A series of overlapping images that were taken sequentially from a single point, in 360 degree arc, that have been digitally stitched together and displayed in 2D, creating an image with a very wide aspect ratio. |
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The aspect ratio of an image is the ratio of its width to its height. It is expressed as two numbers separated by a colon, width:height. Common aspect ratios are 1.85:1 and 2.40:1 in cinematography, 4:3 and 16:9 in television, and 3:2 in still photography. In still camera photography, the most common aspect ratios are 4:3, 3:2 (1.5:1).Other aspect ratios, such as 5:3, 5:4, and 1:1 (square format), are used in photography as well, particularly in medium format and large format. |
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The Aesthetics of Artifacts, Glitches and Defects
The use of images not taken from the same place (on a pivot about the entrance pupil of the camera)[15] can lead to parallax errors in the final product. When the captured scene features rapid movement or dynamic motion, artifacts may occur as a result of time differences between the image segments. "Blind stitching" through feature-based alignment methods (see autostitch), as opposed to manual selection and stitching, can cause imperfections in the assembly of the panorama. https://en.wikipedia.org/wiki/Image_stitching > Artifacts |
I find the defects fascinating, the software has done its best - and failed.
Not an error but aesthetically pleasing, an Artifact = Art.
Not an error but aesthetically pleasing, an Artifact = Art.
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Panorama - The Really Big Picture
Panoramic photography is a technique of photography, using specialized equipment or software, that captures images with horizontally elongated fields of view. It is sometimes known as wide format photography. The term can also be applied to a photograph that is cropped to a relatively wide aspect ratio, like the familiar letterbox format in wide-screen video. While there is no formal division between "wide-angle" and "panoramic" photography, "wide-angle" normally refers to a type of lens – but using this lens type does not necessarily make an image a panorama. An image made with an ultra wide-angle fisheye lens covering the normal film frame of 1:1.33 is not automatically considered to be a panorama. An image showing a field of view approximating, or greater than, that of the human eye – about 160° by 75° – may be termed panoramic. This generally means it has an aspect ratio of 2:1 or larger, the image being at least twice as wide as it is high. |
Some panoramic images have aspect ratios of 4:1 and sometimes 10:1, covering fields of view of up to 360 degrees.
Both the aspect ratio and coverage of field are important factors in defining a true panoramic image. Photo-finishers and manufacturers of Advanced Photo System (APS) cameras use the word "panoramic" to define any print format with a wide aspect ratio, not necessarily photos that encompass a large field of view. In fact, a typical APS camera in its panoramic mode, where its zoom lens is at its shortest focal length of around 24 mm, has a field of view of only 65°, which many photographers would only classify as wide-angle, not panoramic. en.wikipedia.org/wiki/Panoramic_photography |
AutoStitch is a proprietary image-stitching software tool for creating panoramas. It was developed by Matthew Brown and David G. Lowe of the University of British Columbia.[1][2]
The software uses SIFT and RANSAC. It differs from some other image-stitching software in that it automatically and seamlessly stitches together even unaligned or zoomed photographs without user input, whereas others often require the user to highlight matching areas for the photographs to be merged properly. The only requirement is that all photographs be taken from a single point.
Other software such as Hugin has recently added the ability to stitch images without user input as well.
https://en.wikipedia.org/wiki/AutoStitch
The software uses SIFT and RANSAC. It differs from some other image-stitching software in that it automatically and seamlessly stitches together even unaligned or zoomed photographs without user input, whereas others often require the user to highlight matching areas for the photographs to be merged properly. The only requirement is that all photographs be taken from a single point.
Other software such as Hugin has recently added the ability to stitch images without user input as well.
https://en.wikipedia.org/wiki/AutoStitch
Is there any reason anybody anywhere should bother to take another photograph?
"In 2022, the number of smartphone users in the world today is 6.648 Billion, which translates to 83.96% of the world's population owning a smartphone."
https://www.bankmycell.com/blog/how-many-phones-are-in-the-world
According to Wired, "1.2 Trillion photos were taken by humans last year."*
*How Does Photography Affect You? We Tried To Find Out" - Wired - 01.03.19 - Peter Rubin
"In 2022, the number of smartphone users in the world today is 6.648 Billion, which translates to 83.96% of the world's population owning a smartphone."
https://www.bankmycell.com/blog/how-many-phones-are-in-the-world
According to Wired, "1.2 Trillion photos were taken by humans last year."*
*How Does Photography Affect You? We Tried To Find Out" - Wired - 01.03.19 - Peter Rubin
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Panorama redefined
Thinking about what makes a photograph a "panorama," how a panorama is created – and how the Lytro works, creates and re-creates an image – was part of the inspiration for P A N O P T I C O N. I try to record the widest panorama possible, but mostly so I have the most options for cropping afterwards. Sometimes I focus in on just a small portion of the original picture, sometimes on multiple events within the span of a panorama. I pay no attention to the aspect ratio when I chose the final cropping. I rely on the contents of the picture to inform my decisions. For each of the four crop-lines, what do I want to see, what doesn't matter to the story? Does it create tension when a point nears an edge, does a diagonal element align with a corner? In the end, I feel if I've cropped in on a panorama then the resulting image is still technically a panorama. I know what the image looked like originally, so I think of it as a pano, whatever the final aspect ratio might be. Conversely, perhaps obtusely, I also think a picture taken in "Portrait" mode then cropped to a wide aspect ratio is a legitimate panorama. |
99% of the photos that I feel are worth sharing have been cropped and altered. I will often take a regular photo in landscape - and crop it to an even wider aspect ratio.
I find the wide format aesthetically pleasing. I also rely on the square a lot. Sometimes feel that using a square crop is taking the easy way out, less to consider. A naturally pleasing ratio e.g. the Golden Rectangle can make a nice frame. Yet I chafe at arbitrary parameters. If a Square or Golden Rectangle is found pleasing, perhaps another ratio will be disturbing. Sometimes it is not about what I cut out but more about letting the contents define the frame from the inside. How much of the story does the picture tell, what's the least amount of information necessary? Cut out the distractions. I like to have diagonal elements terminate at the corners. I think it helps draw the eyes to the center. A traditional 360º cylinder panorama is a format I will continue to explore. But my goal with P A N O P T I C O N is to push it into who-knows-where – art-wise or otherwise. |
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I think a PANOPTICON panorama is kind of related to the LYTRO concept. It records more visual information than a “standard” photograph, using the same EM lightwaves that Lytro uses, it captures a wide range of visual information and you can control the area you wish to focus on.
https://www.wired.com/2014/04/lytro-illum/ https://www.wired.com/2011/10/lytro-camera/ https://tonyee.wordpress.com/tag/light-field-camera/ |
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Lytro Camera
"Brilliant idea" I thought, collect all the data at once and parse it later. Previously, changing the depth of field could only be done physically, manipulating light rays with lumps of glass and apertures. And the end result is a single image recorded with a fixed Depth of Field. But now you can manipulate the data at your leisure. Because Lytro captures all of the 3-D space information in front of it and mimics various lens and aperture settings by manipulating the data. |
All the spatial-temporal-electromagnetic-spectrum information is in there - just depends on how you look at it.
I also think it is interesting that the human eye does this easily but with a kind of limitless or instantly adjustable depth of field. Between your eyeballs and your brain the light-field is absorbed and the image stitched up tight - and with all of it in steady focus as you move. https://www.theverge.com/2018/3/27/17166038/lytro-light-field-camera-company-shuts-down-google-hiring |
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Holography - the science and practice of making holograms.
Typically, a hologram is a photographic recording of a light field, rather than of an image formed by a lens, and it is used to display a fully three-dimensional image of the holographed subject, which is seen without the aid of special glasses or other intermediate optics. The hologram itself is not an image and is usually unintelligible when viewed under diffuse ambient light. It is an encoding of the light field as an interference pattern of seemingly random variations in the opacity, density, or surface profile |
of the photographic medium. When suitably lit, the interference pattern diffracts the light into a reproduction of the original light field and the objects that were in it appear to still be there, exhibiting visual depth cues such as parallax and perspective that change realistically with any change in the relative position of the observer.
Read that a few times and let it sink in. It hurts, like trying to think about infinity while staring into a mirror without blinking. |
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The holograms I made in college looked like the image below. To view the image in 3-D, you need to have a laser of the same wavelength and strike the film from the same angle of incidence as the original.
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Because all of the hologram image-data is contained in any small piece of the film, you can cut the “negative” into smaller pieces - and each can display the same whole image. (Really!)
I think Panopticon, Holography and the Lytro are related concepts in that all of the information available at the moment of exposure has been recorded. A Hologram records the interference pattern onto the film, encapsulating a 2-dimensional representation of a 3-dimensional space in plastic. (The ones I made were cylindrical, with the laser coming down from above - meaning a PANORAMIC HOLOGRAM). A Lytro exposure records all of the light field information without the bias of lenses or apertures and no chemical component to "Fix it" (thus rendering it unalterable). You can take the raw data and process it different ways - and have an infinite number of "Final Image" variations. |
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Infrared Photography records a different wavelength of reflected light than regular color and B&W - so the focus must be adjusted to accommodate. I like how it gives you a sense of what the world would look like if the rods and cones in our eyes were sensitive to different wavelengths. I find interesting but somewhat limited, a one-note filter.
[I did not take the photo above.] Black & White Photography can produce stunning images and I acknowledge the important contributions made to Photography and Art by all the many famous (and not so famous) “B&W” photographers. It definitely takes a different eye and skill-set. B+W Photography came before Color because of how the technology developed (pun intended). I wonder – if color had come first, would B+W ever have been invented? A kind of reductive progress. The results are more compelling to my eye than infrared. |
Live Photo - Sorry, not sorry - a "Live Photo" is a gimmick, slick marketing, sounds better than Short Attention Span Video.
A Live Photo is a pretend Photograph. When does a long Live Photo become a Short Video? Despite the dis, I occasionally shoot Live. Can a Live Photo be Fine Art? Does that matter? Smells a little like Teen TikTok Spirit... |
Strip Panoramas
Every Building on the Sunset Strip - Edward Ruscha, 1966,
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Ed Ruscha's Every Building on the Sunset Strip (1966) was made by photographing building facades contiguously as seen from the back of a pickup truck traveling a 4 km length of the street. In the ironically 'deadpan' spirit of his work at the time, he published the work in strip form in a foldout book, intended to be viewed from one end or the other to see either side of 'The Strip' in correct orientation. Preceding Ruscha's work, in 1954, Yoshikazu Suzuki produced an accordion-fold panorama of every building on Ginza Street, Tokyo in the Japanese architecture book Ginza, Kawaii, Ginza Haccho.
I've been a Ed Ruscha fan since I discovered his work in my teens. Perhaps the genesis of Panopticon lies in “Every Building on the Sunset Strip.” - I did not learn about the Yoshikazu Suzuki book until I researched this now. Well, Artists borrow all the time. Panopticon is a digitally-enhanced update of this concept. |
[ How to speak Arty ]
Every Building on the Sunset Strip - Edward Ruscha, 1966, Black offset printing - Dimensions: Closed: 7 × 5 5/8 × 3/8 in. Open: 7 in. × 24 ft. 11 1/2 in. Early in the development of both Minimal and Conceptual art, the linguistic phrase as instruction or directive became paramount: the idea was primary and its execution could be by anyone who followed directions. This paradigm displaced the role of the artist from a kind of benighted savage to cool producer, and no artist commented more sharply on this new "informational" style than the West Coast painter Ed Ruscha, whose Pop-inflected canvases were often of resonant or humorous words such as Flash or Oof rendered in cartoonish yet formally precise typefaces floating on monochromatic backgrounds. Ruscha's books are similarly head-scratching fulfillments of their titles. First came Twentysix Gasoline Stations (1962), as blank as an instructional manual and offering a serial Warholian accounting of the most flatfooted-looking snapshots of banal roadside filling stations imaginable. The photographs were not the art, and it was not a luxurious livre d'artiste. Its meaning lay somewhere in the puzzled response of the reader thumbing through it and the circuitous, even futile route that it took through the culture. As Ruscha himself kidded, "My books end up in the trash." Every Building on the Sunset Strip (a detail of its 25 foot long span seen here, in its plexiglas exhibition case) is–like a row of bricks placed on the floor by sculptor Carl Andre–a model of "one thing after another" Minimalism as well as a readymade chance arrangement (the strip itself) of the artist's beloved vernacular architectural eyesores. https://www.metmuseum.org/art/collection/search/294423 I would struggle to compose something this eloquent. |
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For image stitching, we must first decide on a final compositing surface onto which to warp or projectively transform and place all of the aligned images. We also need to develop algorithms to seamlessly blend the overlapping images, even in the presence of parallax, lens distortion, scene motion, and exposure differences. With digital photography, the most common method for producing panoramas is to take a series of pictures and stitch them together.
There are two main types: the cylindrical panorama used primarily in stills photography and the spherical panorama used for virtual-reality images Segmented panoramas, also called stitched panoramas, are made by joining multiple photographs with slightly overlapping fields of view to create a panoramic image. Stitching software is used to combine multiple images. |
Ideally, in order to correctly stitch images together without parallax error, the camera must be rotated about the center of its lens entrance pupil. Stitching software can correct some parallax errors and different programs seem to vary in their ability to correct parallax errors.
In general specific panorama software seems better at this than some of the built in stitching in general photo-manipulation software. Some digital cameras can do the stitching internally, either as a standard feature or by installing a smartphone app. en.wikipedia.org/wiki/Image_stitching https://futurism.com/google-ai-surroundings-3d-model/ |
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"This sample image shows geometrical registration and stitching lines in panorama creation." https://en.wikipedia.org/wiki/Image_stitching
I imagine with P A N O P T I C O N being able to pick a point on one of the red lines and being able to drag it to a new location - kind of like how you can change the route on a maps/navigation app. Being able to shift the black image rectangles, adjust all the regular photo settings; Hue, Saturation etc. plus, what else? |
2012 - Apple iOS 6 adds panorama
App Roundup: Panorama apps for the iPhone | Lauren Crabbe | Published Oct 11, 2012
https://www.dpreview.com/reviews/app-roundup-iphone-panorama
Apple’s latest software update, iOS 6, adds panorama functionality to the native camera app for iPhone 4S and iPhone 5 users as well as fifth generation iPod Touch owners. Several third party panorama apps already exist in the App Store.
Has Apple rendered these apps obsolete for iOS 6 users?
To find out, I took a look at the capabilities of four of the most popular panorama apps and then compared their image quality against the built-in iOS 6 option in three common shooting situations, all shot using my iPhone 4S. These are the apps I chose:
App Roundup: Panorama apps for the iPhone | Lauren Crabbe | Published Oct 11, 2012
https://www.dpreview.com/reviews/app-roundup-iphone-panorama
Apple’s latest software update, iOS 6, adds panorama functionality to the native camera app for iPhone 4S and iPhone 5 users as well as fifth generation iPod Touch owners. Several third party panorama apps already exist in the App Store.
Has Apple rendered these apps obsolete for iOS 6 users?
To find out, I took a look at the capabilities of four of the most popular panorama apps and then compared their image quality against the built-in iOS 6 option in three common shooting situations, all shot using my iPhone 4S. These are the apps I chose:
- Pano (version 4.5) Debacle Software, $1.99/£ 1.49
- Photosynth (version 1.1.4) Microsoft, free
- DMD (version 2.3) Dermandar, $.99/£0.69
- 360 Panorama (version 4.2) Occipital, $.99/£0.69
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Real-Time Image Stitching - CS205 Computing Foundations for Computational Science
Final Project Group 4: Weihang Zhang, Xuefeng Peng, Jiacheng Shi and Ziqi Guo Harvard University, Spring 2018 https://cs205-stitching.github.io/
In this project, we want to use big compute techniques to parallelize the algorithms of image stitching, so that we can stream videos from adjascent camera into a single panoramic view.
Image stitching or photo stitching is the process of combining multiple photographic images with overlapping fields of view to produce a segmented panorama or high-resolution image (example below).
Final Project Group 4: Weihang Zhang, Xuefeng Peng, Jiacheng Shi and Ziqi Guo Harvard University, Spring 2018 https://cs205-stitching.github.io/
In this project, we want to use big compute techniques to parallelize the algorithms of image stitching, so that we can stream videos from adjascent camera into a single panoramic view.
Image stitching or photo stitching is the process of combining multiple photographic images with overlapping fields of view to produce a segmented panorama or high-resolution image (example below).
Above is good example - but flawed - the images at the top DONT OVERLAP
- and image stitching software requires the input images to have overlap.
An interesting project, they wanted live video to be turned into a panorama.
Another instance of a Panorama being a kind of Movie.
- and image stitching software requires the input images to have overlap.
An interesting project, they wanted live video to be turned into a panorama.
Another instance of a Panorama being a kind of Movie.
Only tangentially related, A Structural Analysis of Complex Aerial Photographs, I just found the above interesting...
Panograph of Hyde Park in Sydney by Night
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Joiners (for which the terms panography and panograph have also been used) is a photographic technique in which one picture is assembled from several overlapping photographs. This can be done manually with prints or by using digital image editing software and may resemble a wide-angle or panoramic view of a scene, similar in effect to segmented panoramic photography or image stitching. A joiner is distinct because the overlapping edges between adjacent pictures are not removed; the edge becomes part of the picture. 'Joiners' or 'panography' is thus a type of photomontage and a sub-set of collage.
Artist David Hockney is an early and important contributor to this technique. Through his fascination with human vision, his efforts to render a subjective view in his artworks resulted in the manual montaging of 10x15cm high-street-processed prints of (often several entire) 35mm films as a solution. |
He called the resulting cut-and-paste montages "joiners", and one of his most famous is "Pearblossom Highway", held by the Getty Museum.
His group was called the "Hockney joiners", and he still paints and photographs joiners today. Jan Dibbets' Dutch Mountain series (c.1971) relies on stitching of panoramic sequences to make a mountain of the Netherlands seaside. I have been doing “Joinery” since I was young, the first time at about 12 years old, taking multiple pictures from the top of the Cape Hatteras Lighthouse and matching them up to make a panorama. I did not know it had a name other than “Collage” - and I did not think of it as “Photography.” |
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The development of panoramic cameras was a logical extension of the nineteenth-century fad for the panorama. One of the first recorded patents for a panoramic camera was submitted by Joseph Puchberger in Austria in 1843 for a hand-cranked, 150° field of view, 8-inch focal length camera that exposed a relatively large Daguerreotype, up to 24 inches (610 mm) long. A more successful and technically superior panoramic camera was assembled the next year by Friedrich von Martens[9][page needed] in Germany in 1844. His camera, the Megaskop, used curved plates and added the crucial feature of set gears, offering a relatively steady panning speed. As a result, the camera properly exposed the photographic plate, avoiding unsteady
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speeds that can create an unevenness in exposure, called banding. Martens was employed by Lerebours, a photographer/publisher. It is also possible that Martens camera was perfected before Puchberger patented his camera. Because of the high cost of materials and the technical difficulty of properly exposing the plates, Daguerreotype panoramas, especially those pieced together from several plates (see below) are rare.
en.wikipedia.org/wiki/Panoramic_photography |
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Library of Congress - A Brief History of Panoramic Photography
https://www.loc.gov/collections/panoramic-photographs/articles-and-essays/a-brief-history-of-panoramic-photography/ A very through resource: http://www.popflock.com/learn?s=Panoramic_photograph A Timeline of Panoramic Cameras http://www.panoramicphoto.com/timeline.htm |
Four Design Lessons Learned from Upgrading the Panoramic Photo - Facebook Photos Come Full Circle "So, the Facebook VR team set out to chase the dream that started nearly two centuries ago. We upgraded every panoramic photo—which seemed forgotten by digital media—and projected it onto a 360 degree sphere then manipulated it through natural gestures." Gabriel Valdivia - Dec 15, 2016 8-min read https://medium.com/facebook-design/design-lessons-learned-from-upgrading-the-panoramic-photo-62ec2063cf7c
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Now Read This:
Mind Expander Andy Clark Believes That Your Thinking Isn’t All In Your Head
The New Yorker - Larissa MacFarquhar - April 2 2018
...cognition was not the dictates of a high-level central planner
perched in a skull cockpit, directing the activities of the body below.
[Well worth reading. Slightly connected to Panopticon, wet-ware parsing overwhelming data-loads.]
https://www.newyorker.com/magazine/2018/04/02/the-mind-expanding-ideas-of-andy-clark
Mind Expander Andy Clark Believes That Your Thinking Isn’t All In Your Head
The New Yorker - Larissa MacFarquhar - April 2 2018
...cognition was not the dictates of a high-level central planner
perched in a skull cockpit, directing the activities of the body below.
[Well worth reading. Slightly connected to Panopticon, wet-ware parsing overwhelming data-loads.]
https://www.newyorker.com/magazine/2018/04/02/the-mind-expanding-ideas-of-andy-clark
Whale Shit Deep
- The act of taking a 360º Selfie is inescapably a self-centered act.
- To take a 360º panorama is to take hundreds of photographs
– over a relatively brief length of time, to record a series of multiple "Nows" –
and multiple "Truths" – of what actually happened at that precise moment in space and time.
The resulting image is outward-looking in all directions, an artifact of a light field,
a circle Around About Nows.
Around About Now
360º > a Loop > a Rut > a Circle > a Circus - Alpha + Omega
P A N O P T I C O N is all seeing unto the i n f i n i t ∞
A rip in the Time ∞ Space Continuum.
A trip in the Time ∞ Space Continuum.
A Möbius strip has the mathematical property of being un-orientable. It can be realized as a ruled surface.
A photo is blurred if an object in the frame moves at a speed faster than the shutter speed's ability to freeze time.
The blur that results captures/represents the object + time
Super slow motion is filmed at 999,999 FPS - 1 frame = 1/1,000,000 of a second
- The act of taking a 360º Selfie is inescapably a self-centered act.
- To take a 360º panorama is to take hundreds of photographs
– over a relatively brief length of time, to record a series of multiple "Nows" –
and multiple "Truths" – of what actually happened at that precise moment in space and time.
The resulting image is outward-looking in all directions, an artifact of a light field,
a circle Around About Nows.
Around About Now
360º > a Loop > a Rut > a Circle > a Circus - Alpha + Omega
P A N O P T I C O N is all seeing unto the i n f i n i t ∞
A rip in the Time ∞ Space Continuum.
A trip in the Time ∞ Space Continuum.
A Möbius strip has the mathematical property of being un-orientable. It can be realized as a ruled surface.
A photo is blurred if an object in the frame moves at a speed faster than the shutter speed's ability to freeze time.
The blur that results captures/represents the object + time
Super slow motion is filmed at 999,999 FPS - 1 frame = 1/1,000,000 of a second
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Competition? More like Inspiration.
https://www.ptgui.com/news/2018/06/19/ptgui-11-released.html https://www.panoramic-photo-guide.com/best-photo-stitching-software-to-beginners.html http://www.easypano.com/photo-stitch-software.html https://www.youtube.com/watch?v=Oi7kHBtpXV8 5 Real-Time video Stitching Tools Published on 23 November 15 https://www.mytechlogy.com/IT-blogs/9702/5-real-time-video-stitching-tools/#.XDzSGs9KhE4 |
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How many people out there are experimenting like I am?
I want to see what they've taken, how they've twisted space/time
I discovered this in relation to an article he wrote about the iPhone 5, specifically a review of its (then new) panorama feature.
iPhone 5's panorama function covers all the angles
This article is more than 11 years old
Taking panorama pictures isn't new, or exclusive, to the iPhone – but Apple appears to have got it right
< https://www.theguardian.com/technology/blog/2012/sep/19/iphone-5-panorama-photographs >
Photograph: Charles Arthur on Flickr. Some rights reserved
I found this image on 06/30/24 https://www.flickr.com/photos/charlesarthur/8001326233/in/photostream/ taken by Charles Arthur.
I discovered this in relation to an article he wrote about the iPhone 5, specifically a review of its (then new) panorama feature.
I want to see what they've taken, how they've twisted space/time
I discovered this in relation to an article he wrote about the iPhone 5, specifically a review of its (then new) panorama feature.
iPhone 5's panorama function covers all the angles
This article is more than 11 years old
Taking panorama pictures isn't new, or exclusive, to the iPhone – but Apple appears to have got it right
< https://www.theguardian.com/technology/blog/2012/sep/19/iphone-5-panorama-photographs >
Photograph: Charles Arthur on Flickr. Some rights reserved
I found this image on 06/30/24 https://www.flickr.com/photos/charlesarthur/8001326233/in/photostream/ taken by Charles Arthur.
I discovered this in relation to an article he wrote about the iPhone 5, specifically a review of its (then new) panorama feature.
